ANALOG FOR REISSUE ON 180-GRAM VINYL LPS AND HD DIGITAL AUDIO
New LP Editions Available Individually and in a Limited Edition 15LP Collection with Exclusive Extras in Wooden Peach Crate
Los Angeles – May 24, 2016 Nine essential Allman Brothers Band albums, spanning 1969 to 1979, have been remastered from the original analog tapes for reissue on audiophile quality 180-gram vinyl on July 22 by Mercury/UMe. An expanded, 2LP edition of The Allman Brothers Band; 1LP Idlewild South; 2LP At Fillmore East; 2LP Eat a Peach; 1LP Brothers and Sisters; 1LP Win, Lose or Draw; 2LP Wipe the Windows, Check the Oil, Dollar Gas; 1LP Enlightened Rogues; and 3LP debut of Live At Ludlow Garage: 1970 are available now for preorder, individually and together in a special limited edition set, which presents the nine albums on 15 LPs with exclusive extras in a Georgia-style solid wood peach crate. Available exclusively here, the peach crate collection is limited to 500 sets worldwide. On the same date, the nine albums will be available for download purchase in high definition digital audio (192kHz/24-bit and 96kHz/24-bit).
The albums have been remastered by Kevin Reeves [Idlewild South (2015), The 1971 Fillmore East Recordings (2014)] to 192kHz/24-bit audio and cut on copper plates using Abbey Road Mastering’s Direct Metal Mastering (DMM) lathe. All nine LP packages feature faithfully replicated original album artwork.
The Allman Brothers Band’s self-titled debut album is expanded to two LPs, featuring the original 1969 stereo mix and the 1973 Beginnings stereo mix. Live At Ludlow Garage: 1970 makes its debut in a triple-LP package, presenting the complete concert for the first time, including “In Memory Of Elizabeth Reed,” originally released last year in Idlewild South’s 45th Anniversary Super Deluxe Edition.
In addition to the LPs, the limited edition peach crate collection boasts a bevy of exclusive collectable extras, including a half-stack amplifier-shaped 8GB USB stick with all nine albums as downloadable 44.1kHz/16-bit uncompressed AIFF audio files; four double-sided posters of key art or photos from the albums; nine magnets featuring each album’s cover art; nine guitar picks and buttons with key art or photos from each album; a custom deck of Allman Brothers Band playing cards; a trucker/snapback-style hat; a turntable mat and microfiber cleaning cloth. The peach crate, weighing in at approximately 26 pounds, measures 15.25″ x 13.625″ x 13.625″ providing ample room for more vinyl LP storage.
The Allman Brothers Band (1969)
[Original 1969 Stereo Mix]
| Side A | Side B | |
| 1. Don’t Want You No More | 1. Every Hungry Woman | |
| 2. It’s Not My Cross To Bear | 2. Dreams | |
| 3. Black Hearted Woman | 3. Whipping Post | |
| 4. Trouble No More | ||
| [1973 Beginnings Stereo Mix] | ||
| Side C | Side D | |
| 1. Don’t Want You No More | 1. Every Hungry Woman | |
| 2. It’s Not My Cross To Bear | 2. Dreams | |
| 3. Black Hearted Woman | 3. Whipping Post | |
| 4. Trouble No More | ||
| Idlewild South (1970) | ||
| Side A | Side B | |
| 1. Revival | 1. Hoochie Coochie Man | |
| 2. Don’t Keep Me Wonderin’ | 2. Please Call Home | |
| 3. Midnight Rider | 3. Leave My Blues At Home | |
| 4. In Memory Of Elizabeth Reed | ||
| At Fillmore East (1971) | ||
| Side A | Side B | |
| 1. Statesboro Blues (Live) | 1. You Don’t Love Me (Live) | |
| 2. Done Somebody Wrong (Live) | ||
| 3. Stormy Monday (Live) | ||
| Side C | Side D | |
| 1. Hot ‘Lanta (Live) | 1. Whipping Post (Live) | |
| 2. In Memory Of Elizabeth Reed (Live) | ||
| Eat a Peach (1972) | ||
| Side A | Side B | |
| 1. Ain’t Wastin’ Time No More | 1. Mountain Jam (Theme From “First There Is A Mountain”) | |
| 2. Le Brers In A Minor (Live) | ||
| 3. Melissa | ||
| Side C | Side D | |
| 1. One Way Out (Live) | 1. Mountain Jam, Cont’d (Theme From “First There Is A | |
| 2. Trouble No More (Live) | Mountain”) (Live) | |
| 3. Stand Back | ||
| 4. Blue Sky | ||
| 5. Little Martha | ||
| Brothers and Sisters (1973) | ||
| Side A | Side B | |
| 1. Wasted Words | 1. Southbound | |
| 2. Ramblin’ Man | 2. Jessica | |
| 3. Come And Go Blues | 3. Pony Boy | |
| 4. Jelly Jelly | ||
| Win, Lose or Draw (1975) | ||
| Side A | Side B | |
| 1. Can’t Lose What You Never Had | 1. High Falls | |
| 2. Just Another Love Song | 2. Sweet Mama | |
| 3. Nevertheless | ||
| 4. Win, Lose Or Draw | ||
| 5. Louisiana Lou And Three Card Monty John | ||
| Wipe the Windows, Check the Oil, Dollar Gas (1976) | ||
| Side A | Side B | |
| Introduction (Live) | 1. In Memory Of Elizabeth Reed (Live) | |
| 1. Wasted Words (Live) | ||
| 2. Southbound (Live) | ||
| 3. Ramblin’ Man (Live) | ||
| Side C | Side D | |
| 1. Ain’t Wastin’ Time No More (Live) | 1. Don’t Want You No More (Live) | |
| 2. Come And Go Blues (Live) | 2. It’s Not My Cross To Bear (Live) | |
| 3. Can’t Lose What You Never Had (Live) | 3. Jessica (Live) | |
| Enlightened Rogues (1979) | ||
| Side A | Side B | |
| 1. Crazy Love | 1. Blind Love | |
| 2. Can’t Take It With You | 2. Try It One More Time | |
| 3. Pegasus | 3. Just Ain’t Easy | |
| 4. Need Your Love So Bad | 4. Sail Away | |
| Live At Ludlow Garage: 1970 | ||
| Side A | Side B | |
| 1. Dreams (Live) | 1. Trouble No More (Live) | |
| 2. Statesboro Blues (Live) | 2. Dimples (Live) | |
| 3. Every Hungry Woman (Live) | ||
| Side C | Side D | |
| 1. I’m Gonna Move To The Outskirts Of Town (Live) | 1. In Memory Of Elizabeth Reed (Live) | |
| 2. Hoochie Coochie Man (Live) | ||
| Side E | ||
| 1. Mountain Jam (Theme From “First There Is A Mountain”) (Live) | ||
| Side F | ||
| 1. Mountain Jam, Cont’d (Theme From “First There Is A Mountain”) (Live) | ||
About Direct Metal Mastering (DMM)
Direct Metal Mastering (DMM) is an analogue audio disc mastering technique jointly developed by two German companies, Telefunken-Decca (TelDec) and Georg Neumann GmbH. The audio signal is cut directly to a copper disc whereby the traditional analogue audio disc master cutting process is cut into a lacquer-coated aluminum disc. The key advantage to DMM is the copper master disc can be plated to produce the required number of stampers using a one-step process. Lacquer master discs require electroforming a master (“father”), “mother,” and then stampers, in what is known as the traditional “three-step process.” The DMM copper disc serves as the “mother,” which bypasses the silvering process and two electroforming stages, thus reducing the risk of introducing noise that can be generated in the traditional lacquer master process. The advantage of DMM over acetate lacquers are both sonic and practical because of the rigidity of the master disc medium and no groove wall bounce-back effects after cutting, all of which preserves the original modulation details in the groove walls, offering a better high end frequency playback and quieter surface noises.
CONTACT
Jennifer Ballantyne, UMe – (310) 865-2350 / jennifer.ballantyne@umusic.com
