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Author: Subject: WHAT ARE YOU LISTENING TOOOOOOOO

Universal Peach



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  posted on 10/26/2018 at 04:11 PM
Rolling Stones - Can't You Hear Me Knocking

 

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True Peach



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  posted on 10/26/2018 at 08:03 PM
Chris Hillman- Wildflowers
 

Peach Pro



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  posted on 10/27/2018 at 06:40 AM
Jimi Hendrix Blues
Sounded real fine along with 707 Headband

 

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kevin

 

Extreme Peach



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  posted on 10/27/2018 at 11:41 AM
The Infamous Stringdusters: Ladies & Gentleman

Impressive list of female artists do guest vocals on this such as Nicki Bluhm , Mary Chapin Carpenter, Joss Stone, Sara Watkins, Joan Osborne, Sara Siskind, Lee Ann Womack, Sarah Jarosz, Della Mae’s Celia Wordsmith, Claire Lynch, Aoife O’Donovan & Abigail Washburn.

[Edited on 10/27/2018 by DeadMallard]

 

Extreme Peach



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  posted on 10/27/2018 at 11:57 PM
Drive-By-Truckers: Sandwiches For the Road

Sad song Patterson Hood wrote about Duane's old buddy, Eddie Hinton.

https://www.youtube.com/watch?v=rJV8I0hqnus

All packed to go, baloney and mayonnaise sandwiches for the road
Lay them out across the dash in the August sun
And if they turn green don't be afraid
Nothing can hurt you but yourself
Nothing can hurt you but yourself
I been given to visions from time to time (Mighty fields of vision)
And the voice in my brain can be a little unkind sometimes
Go ahead, point it at me, I ain't scared
Nothing can hurt you but yourself
Nothing can hurt you but yourself
And if you see me on the street and if I whop you on the head
You probably got it coming
And if you hit me back, we'll call it even, but I ain't going down easy
'Cause my mama loves me and I got friends in Decatur, Alabama.
So drink another drink and smoke another cigarette
Something's gonna get us yet
'Cause I got ashes in my throat and I ain't got no vote
It's just the way I stand myself
Nothing can hurt you but yourself
Nothing can hurt you but yourself



 

Universal Peach



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  posted on 10/28/2018 at 02:31 AM
Robert Jon & The Wreck - Live From Hawaii

If you like Blackberry Smoke check them out! They hail from California and they kick ass. Sometimes really have that catchy sound that BS has but with way way more guitar! With new guitarist Henry James they are more and more sounding "old school" with lengthier songs and extended solos that will appeal to ABB and Lynyrd Skynyrd fans.

 

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Extreme Peach



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  posted on 10/28/2018 at 11:39 AM
quote:
Robert Jon & The Wreck - Live From Hawaii

If you like Blackberry Smoke check them out! They hail from California and they kick ass. Sometimes really have that catchy sound that BS has but with way way more guitar! With new guitarist Henry James they are more and more sounding "old school" with lengthier songs and extended solos that will appeal to ABB and Lynyrd Skynyrd fans.


Thanks going to do so.

 

Peach Master



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  posted on 10/28/2018 at 12:10 PM
The 3 cd set Hugh Masekela - Masekela '66 - '76. Been in heavy rotation since getting it in the mail Thurs

 

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Through The Shadows To The Shadowless Land...

 

Extreme Peach



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  posted on 10/28/2018 at 06:57 PM
Gretchen Wilson: Under The Covers
 

Universal Peach



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  posted on 10/29/2018 at 08:27 AM
Drivin' N' Cryin' - Too Late To Turn Back Now

 

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Maximum Peach



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  posted on 10/29/2018 at 09:23 AM
the who quadrophenia

 

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Universal Peach



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  posted on 10/29/2018 at 03:48 PM
Gregg's version of Song For Adam. Gregg performed it for his brother.

 

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Extreme Peach



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  posted on 10/29/2018 at 04:33 PM
James Brown: Star Time
 

Peach Master



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  posted on 10/29/2018 at 08:37 PM
High Time We Went- Screamin Cheetah Wheelies from a record called “hempilation” from the early 90s. Govt Mule, Ian Moore, Widespread Panic all made great showings as well.

 

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hope for the best

 

Extreme Peach



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  posted on 10/30/2018 at 07:28 PM
quote:
High Time We Went- Screamin Cheetah Wheelies from a record called “hempilation” from the early 90s. Govt Mule, Ian Moore, Widespread Panic all made great showings as well.


Thanks I downloaded the whole album and really like it. I also like the first solo album (Goodnight Sun) from Mike Farris the lead singer. Quite a story behind him. Going to check out more from both.


 

Extreme Peach



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  posted on 10/31/2018 at 10:02 AM
The Devil Makes Three: Need To Lose

Off their recent album … Americana

https://www.youtube.com/watch?v=EtaLpbsSmpU


 

Maximum Peach



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  posted on 11/1/2018 at 09:42 AM
ABB eat a Peach

 

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Extreme Peach



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  posted on 11/1/2018 at 11:14 AM
The James Hunter Six: Minute By Minute
 

Extreme Peach



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  posted on 11/1/2018 at 10:53 PM

David Crosby: Here If You Listen

new release

 

Maximum Peach



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  posted on 11/2/2018 at 12:56 PM
Warren Zevon Excitable boy

 

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Universal Peach



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  posted on 11/2/2018 at 01:27 PM
Watched some of Santana at US Festival (1982) on AXSTV. Good to see the band just doing their thing.

 

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Peach Pro



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  posted on 11/2/2018 at 03:08 PM
Jimmie Vaughan - Strange Pleasure

 

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  posted on 11/2/2018 at 03:08 PM
Jimmie Vaughan - Strange Pleasure

 

Extreme Peach



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  posted on 11/2/2018 at 08:58 PM
Janis Joplin with Big Brother & The Holding Company: Live At The Carousel Ballroom 1968


I didn't like it as much as the review I read before getting it:

AllMusic Review By Thom Jurek:

The first entry in the Bear's Sonic Journals series is, without question, a stunner. "Bear" (Augustus Owsley Stanley III), the Grateful Dead's live soundman, built and manned the sound system at the Carousel Ballroom. He personally supervised this previously unreleased effort (items from it have appeared on the Joplin box with crummy sound) shortly before his untimely death in an automobile accident in 2011. (He even provides listening instructions via a brief liner essay -- one of a number of them -- including an excellent historical one from Jaan Uhelszki). There were no stage monitors then (something Bear would later pioneer); the band had to listen to the echo back from the room, the P.A., and amplifier sound to cue pitch. Here, vocals and drums are in the left channel, guitars and bass in the right -- no melding. The effect is electrifying; it's exactly what one would experience as an audience member. The sound is warm, immediate, raw; full of intricacies, small flaws, and rough spots that make the performance singular. This is Big Brother still very much performing as a unit, recorded on June 23, 1968 shortly after finishing sessions for Cheap Thrills, whose release occurred two months later. They're comfortable enough with one another here to trust each others' instincts. Joplin's vocals are the centerpiece, but the wild, wooly, psychedelic rock of Big Brother -- James Gurley and Sam Andrew on guitars, bassist Peter Albin, and drummer Dave Getz -- is the engine that propels that singular voice to the heights it needs to soar to. Andrew takes alternate duet and backing vocals regularly; the rest of the band chimes in on the backing ones too. The disc begins with "Combination of the Two," with Joplin and Andrew taking turns on the vocal and a truly incendiary and wildly inventive guitar solo from Gurley. The vocal play continues on "I Need a Man to Love." Joplin's reading is subtle enough to let the blues drench the tune amid the revved sonics. "Summertime" is every bit as lovely as and more soulful than the one on Cheap Thrills. "Catch Me Daddy" is a revelation of jazzy psychedelic blues. The two versions of "Call on Me" (one from Sunday night) are radically different from one another. "Piece of My Heart" features some lithe vocalizing in the verse from Joplin we haven't heard before. But the true highlights here are Albin's "Coo Coo," an acid-drenched instrumental, and "Ball and Chain," in what may be its definitive recorded performance. Live at the Carousel Ballroom 1968 is easily the finest gig from Big Brother & the Holding Company yet released, and it's a fitting tribute to Bear's inventive legacy.

 

Extreme Peach



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  posted on 11/3/2018 at 10:40 AM
James McMurtry: Complicated Game
 
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