Bobby Whitlock just passed

Rest in peace Bobby. Thanks for your great talent and humility. I will greatly miss you.

Sad to read. Honestly, beyond Derek and the Dominoes I guess I'm not all that familiar with Bobby's canon of work. I was always appreciative of his contributions to the Layla album.
Not to pick on Bobby Whitlock, but over the past several years I have wondered what his personal relationship with Duane Allman was like. In various interviews, he seems to slight Duane's contributions on that album. Just a few days ago I was reading an interview where he reminded the journalist that, "You know, Eric Clapton was a pretty fine slide player himself ..." I've probably read too much into his comments, but he seemed a tad dismissive of Duane at times.
One of my favorite moments on the Layla album was the back and forth vocal between Eric and Bobby on "She's Gone". Me and my buds use to have a lot of fun with that one - especially when we had over-consumed. 😉
Farewell to Bobby Whitlock.

@rusty: I guess you and your buds really had over-consumed, because the name of the tune is It's Too Late. There is no tune on Layla called She's Gone.
Don't take this seriously, just yankin' yer chain, Bro!
RIP Bobby Whitlock!! Here's one of the best versions of Layla I've heard. Bobby's wife Coco is another fine musician.

@robslob You are so correct ... and I'm sure I knew that at some point. I'm old enough to forget stuff. You shoulda seen me screw up the eulogy speech at my aunt's memorial yesterday. Gettin' to where i can't hold a memory in a bucket.
Thanks for the friendly reminder!

@rusty Bobby ( RIP) said Duane wasn't a good fit for Derek and the Dominoes and that was especially clear when Duane took time off from the Allman Brothers Band and played with them because Clapton wanted Duane to join.
And that Eric Clapton is one of the best slide guitar players playing today.
I just got a vibe that Bobby didn't like Eric Clapton pulling Duane into the album then wanting Duane to leave the Allman Brothers for the Dominos.
I have Bobby's Capricorn solo album which came out mid 1970's but didn't sell. Dickey is on a track or two.
Bobby was a good musician but I too am not aware of anything which sold well enough to be remembered by Bobby beyond Derek and the Dominoes.
Bobby Whitlock was 77 it said on CBS and had been struggling with poor health in recent months.

Love Bobby Whitlock's contributions to the Layla album and the live album. His vocal contributions being as important as his playing. That said I think his relationship with Duane was soaked in jealousy. I Didn't care for that at all. Glad Duane didn't join them. Peace be with you.

@rusty A drummer in a band I was in always referred to "Little by Little" (the Little Milton song covered by Susan and Gregg and others) as "Bit By Bit", which is the title of the closing song from the movie Fletch. I suggested we do a mash up of them but I guess I was the only Fletch fan in the room.
Yeah, Bobby was a talented dude but always seemed to have a chip on his shoulder about his career. He was in the room for a lot of amazing music, but he just was never the guy. I got the sense he thought he and Clapton were going to collaborate and felt overshadowed once Duane showed up. Then Clapton went into heroin hibernation and Bobby's solo career didn't take off he kind of gave up. He seemed to come to terms with it in recent years, seemed at peace.

@porkchopbob Huge Fletch fan, myself! Titles-wise, I guess I never paid a lot of attention to the song titles on album covers. I was alway into the minutiae of who played what, producer, engineer, studio - that kind of stuff. I always get the Dylan song titles wrong - thinking that the hook-line is the title, when the actual song title sometimes doesn't even come up in the song. Case in point - the song that I (and a lot of folks) call "Everybody Must Get Stoned" is actually, "Rainy Day Women #12 and 35".

Awhile ago I was in contact with Coco related to some postings on MySpace about Duane. She was kind enough to work with Bobby to answer some questions I had about Keep on Growing. Always appreciated that, despite the obvious envy Bobby had of Duane and his contributions.
BTW, Bobby firmly maintained Duane was not on the track saying "I watched Eric put down layer after layer." There was a really long discussion about this in the Duane Allman section of this website.

Here is a detailed history going beyond what was even done in the Duane forum.
https://www.duaneallman.info/duanedisckeepongrowing.htm

Damn. Sad to hear this. Loved his contributions to the album, and I think he really shined on their Fillmore East album. Some really nice keys on that one and obviously the vocals.
and . . . people think Duane was on Keep on Growing because it damn sure sounds like Duane was on Keep on Growing! 😉

I really loved his playing, thought he was always soulful, and just straight ahead with where he was at. it's what made him such a ballsy musician
And I loved the videos CoCo did, total sanity saver through the pandemic.
She clearly loved him so much and supported him so well.
A few of their tunes ended up spinning endlessly on my ipod for years.
Thanks for all the good times, Bobby
See you at the celestial jam!

@dzobo I have seen one picture of the Layla session with the guys forming a close group photo and Duane has Clapton's"Brownie" Strat and Clapton is holding Duane's Gold top.
But on a New York City radio interview with Duane with Berry Oakley in the background a caller wants to know which parts on the Layla album are Duane and which parts are Clapton.
Duane's answer was " I played a Les Paul all the way through and Eric played a Strat. If you can tell the difference between a Gibson and a Fender then you'll have it. If not just enjoy the music for it's all good. Eric is a fine cat and a great player".
Makes it sound unlikely Duane played a Strat on the Layla session but you never know.
I'd put my money on Duane not appearing Keep On Growing.

If you can find a copy, `My Time' is a fabulous latter-day Whitlock CD. It has
covers of `Bell Bottom Blues' and `Why Does Love Got To Be So Sad' which
are excellent but the rest of the album is terrific as well.

L.A. Times, 8/10/25:
-
Bobby Whitlock, singer-keyboardist and co-founder of the blues-rock group, Derek & the Dominos, has died.
(CoCo Carmel)
Bobby Whitlock, the keyboardist, singer-songwriter and co-founder of the blues-rock group Derek and the Dominos, has died. He was 77.
In a statement, his manager, Carol Kaye, said, “With profound sadness, the family of Bobby Whitlock announces his passing at 1:20 a.m. on Aug. 10 after a brief illness. He passed in his home in Texas, surrounded by family.”
Although Derek and the Dominos is perhaps best known for launching singer and guitarist Eric Clapton into solo superstardom, Whitlock was a key contributor to the group’s 1970 debut “Layla and Other Assorted Love Songs,” and an influential session musician and singer-songwriter in his own right.
Whitlock was born March 18, 1948, into a poverty-stricken early life in Millington, Tenn., a suburb of Memphis. His keyboard and piano skills, formed around Southern church traditions, led him to eavesdropping on sessions at Stax Records’ studios, which took notice of his uncommonly soulful musicianship. Stax Records signed him to its new pop-focused imprint HIP — he was the first white artist to join singers like Otis Redding and Sam & Dave at the label group.
His major breakthrough came when he was asked to join Delaney & Bonnie and Friends, an acclaimed rock-soul combo whose collaborators included generationally important artists like Duane and Gregg Allman, Leon Russell, George Harrison and Clapton.
Delaney & Bonnie and Friends took Whitlock on tour with Clapton’s supergroup, Blind Faith, and Clapton used much of that band’s lineup to record his 1970 solo debut. He later asked Whitlock to join him in a new combo (with bassist Carl Radle and drummer Jim Gordon), assembled to back Harrison on “All Things Must Pass,” which became Derek and the Dominos.
“The empathy amongst all the musicians outcropped most noticeably in Bobby Whitlock, in whom Eric found an accomplished and sympathetic songwriting partner and back-up vocalist,” Clapton biographer Harry Shapiro wrote in “Eric Clapton: Lost in the Blues.”
On “Layla,” the group’s sole studio LP, Whitlock wrote or co-wrote half of the album’s songs, including “Bell Bottom Blues” and “Tell the Truth.” A U.S. tour featured opener Elton John, who wrote in his autobiography that, among the Dominos, “it was their keyboard player Bobby Whitlock that I watched like a hawk. He was from Memphis, learned his craft hanging around Stax Studios and played with that soulful, deep Southern gospel feel.”
While the band’s drug use and personal tensions eventually led to a split, Whitlock released his self-titled solo debut in 1972 and “Raw Velvet,” a follow-up that same year. As a session musician, he played on the Rolling Stones’ “Exile on Main St.” and Dr. John’s “The Sun, Moon & Herbs.”
He continued releasing solo material through the ’70s, returning in the ’90s and often collaborating with his wife and musical partner CoCo Carmel.
“How do you express in but a few words the grandness of one man who came from abject poverty in the south to heights unimagined in such a short time,” Carmel said in a statement to The Times. “My love Bobby looked at life as an adventure taking me by the hand leading me through a world of wonderment from music to poetry and painting. As he would always say: ‘Life is what you make it, so take it and make it beautiful.’ And he did.”
Whitlock is survived by his wife and children Ashley Faye Brown, Beau Elijah Whitlock and Tim Whitlock Kelly.
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