45 Years Ago: John Lennon and Frank Zappa Jam at the Fillmore East - and Yoko makes sqauwking noises

Don't let the squawking scare you, hang in there, Zappa applies some good blues licks a little way in.
Funny/odd story by Frank about the credits for King Kong below...
In the last days of New York’s Fillmore East, John Lennon and Yoko Ono joined Frank Zappa and the Mothers of Invention onstage after the Mothers’ set. The four songs performed on June 6, 1971, were recorded and released on Lennon’s 1972 album Some Time in New York City and later on Zappa’s 1992 live LP Playground Psychotics.
The session had its genesis in a Lennon and Ono interview conducted by Village Voice writer Howard Smith on his WPLJ-FM show. At the end of the interview, Smith, who was off to talk to Zappa at the guitarist’s hotel, asked Lennon if he would like to come along. Lennon, a fan of Zappa’s music, said yes.
“A journalist in New York City woke me up – knocked on the door and is standing there with a tape recorder and goes, ‘Frank, I’d like to introduce you to John Lennon,’ you know, waiting for me to gasp and fall on the floor,” Zappa recalled on his 1984 Interview Picture Disc. “And I said, ‘Well, okay. Come on in.’
“And we sat around and talked, and I think the first thing he said to me was, ‘You’re not as ugly as I thought you would be.’ So anyway, I thought he had a pretty good sense of humor so I invited him to come down and jam with us at the Fillmore East. We had already booked in a recording truck because we were making the Live at the Fillmore album at the time.”
The Fillmore East audience, awaiting an encore by the Mothers, was surprised to see Lennon and Ono take the stage. The group opened with “Well (Baby Please Don’t Go),” a 1958 tune by the Olympics. “This is a song I used to sing when I was at the Cavern in Liverpool,” Lennon announced. “I haven’t done it since.”
“We went down there and I did an old Olympics number, the B-side of “Young Blood,” Lennon told the BBC. “It was a 12-bar kind of thing I used to do at the Cavern. … It was pretty good with Zappa because he’s pretty far out, as they say, so we blended quite well.”
Ono’s spacey vocals did blend well with the Mothers’ freaked-out progressive rock. Three improvisational numbers followed: First was a take on “King Kong,” a song from the Mothers’ 1969 album Uncle Meat. Next was “Scumbag,” in which the title is repeated over and over. (In case the audience didn’t get the point, Ono was covered head-to-toe by a bag as she sang.) The jam wrapped with “Aaawk” (which was retitled “Au” on the Lennon album).
Three weeks later, the Fillmore East closed. When Some Time in New York City was released the following year, Zappa was surprised that “King Kong” was now called “Jamrag” – British slang for a sanitary napkin – and credited to Lennon and Ono.
“After they had sat in with us, an arrangement was made that we would both have access to the tapes,” Zappa continued. “He wanted to release it with his mix, and I had the right to release it with my mix – so that’s how that one section came about. The bad part is, there’s a song that I wrote called ‘King Kong’ which we played that night, and I don’t know whether it was Yoko’s idea or John’s idea, but they changed the name of the song to ‘Jamrag,’ gave themselves writing and publishing credit on it, stuck it on an album and never paid me. It was obviously not a jam session song – it’s got a melody, it’s got a bass line, it’s obviously an organized song. Little bit disappointing.”
Read More: http://ultimateclassicrock.com/john-lennon-frank-zappa-fillmore-east/?trackback=tsmclip

What an inspiring and legendary performance by Yoko Ono that night. Too bad she had to bring her hubby out to spoil it.

Oh Yoko......... I have tried to be kind over the years..... "John really loved her"...... "She is avante garde"....... "an artist"............ a respect for John.... a respect for his love.....
but hearing yet once again, her warbling wounded bird yodeling...... primal angst wrapped in, well, Yokoness....... chalkboard nailness...... reminded of screeching banshees of legends..... and her smug smile while inflicting tortures on notes that had never seen it.... with my favorite Beatle John approvingly looking on......
The Power of Yoko!
After 47 effin years.... she still has the power
of making me want to bash large things with heavy mallets into tiny Yoko shards of cosmic angst

Ha, ha, ha - too funny bird.
I wonder what Frank thought? For all we know, he probably appreciated it.
As a Frank fan, I thought his guitar parts on the above song were excellent, a bluesy side of Frank not often heard on his recordings.

I bought the Plastic Ono Bands "Live Peace In Torornto 1969. I bought it mostly for the song "Cold Turkey". I was then subjected to Yokos' noise making of bird and animal sounds.

I have that album too !
Is there anyone, anywhere that likes her, uh, art ?

I had the album "back then" but have not added it to vinyl collection (it was a so so performance really). In the record bins, when found, Side 1 is often visibly wore, while Side 2 is ALWAYS pristine, no matter how hammered the cover and side one.

Gotta give her credit for longevity :

That was really mean of you. I clicked. Listened. I am a true fool. It will be in my brain now.

I'm always bemused when Yoko gets "reviewed" for being different.
If not for people like Daniel Meltzer and Yoko, there would be no Beacon Theatre today.
It would have turned into big box retail space in 1985.
So yeah I dig Yoko and her far out stuff man.
Count me as a big fan.
"Over time, however, the Beacon had become run-down, and in the early 1980s a prominent developer of discos, Olivier Coquelin, announced plans to renovate the theater and turn it into a club with a dance floor and nightly live music, spurring Mr. Meltzer to action.
As chairman of the Save the Beacon committee, which formed in 1985, he helped create a coalition of people with different motives that included neighbors disinclined to accept a noisy new music club in their midst and music business figures who did not want to lose a rare midsize concert venue. Philanthropists, including Brooke Astor, supported the cause, as did celebrities like Marvin Hamlisch, Yoko Ono, Judy Collins and Harry Belafonte."
http://www.nytimes.com/2014/11/13/nyregion/daniel-meltzer-protector-of-the-beacon-theater-dies-at-74.html?_r=0

yeah I can't click on the Yoko wailing. I like her for sure, just not her sounds. Although I did like her flipside on the Instant Karma 45 when I was a kid. Real sweet quiet japanese song, Who Has Seen The Wind.
Pretty lame that Lennon took the Zappa number and put it out as their own stuff.
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